Hollywood, land of Opportunity

There’s more to the movie business than just actors, directors and producers. Hollywood also employs a small army of executives who produce, market and distribute motion pictures. 

According to the Los Angeles County Economic Development Corp., employment in California’s motion picture and television industry increased by nearly 10% in 2011, adding 11,700 jobs. But while Tinseltown may have a reputation for being more about who you know than what you know, many of its executive positions require a formal post-secondary education.

Many area schools offer advanced degree programs designed to give entertainment industry executives a competitive edge.

Edward Noeltner is president of Beverly Hills-based Cinema Management Group, which acquires, licenses and distributes motion pictures worldwide. He holds a master’s degree in critical studies from USC’s School of Cinematic Arts. 

“That sort of critical background has helped me immensely in my career in terms of picking some winners,” said Noeltner, who has licensed movies including “Chicago” and “The Hours.”

“First of all, I got a bachelor’s degree in radio and television production [from the University of Arizona in 1980],” he said. “That set me up for working in the industry … the technical ins and outs.”

Gregoire Gensollen is vice president of international distribution and strategy at FilmNation Entertainment, an international sales, distribution and production company with offices in L.A. and New York. He earned his MBA from UCLA Anderson School of Management in 2006.

“Most of my electives were in the producers’ program in the [UCLA] film school,” Gensollen explained. “It’s extremely hard [for me] to have a macro view of the [movie] business … without having the different classes that are offered at UCLA, both the pure business MBA and the film school.”

As of this year, UCLA Anderson offers an entertainment certificate within its general management MBA.
People considering an entertainment-related degree should take into account not only a program’s ranking but also its location, Gensollen said. He recommends L.A. because of its bountiful opportunities for entertainment internships — he did nine while at Anderson — and networking opportunities.

Legal eagles

The movie industry’s myriad contracts and negotiations provide plenty of work for entertainment lawyers in Los Angeles.

G. Fabricio Lopez, principal counsel at a major entertainment company, enrolled in UCLA Extension’s Paralegal Program upon arriving in Los Angeles from Ecuador in 1994. 

“It was very hands-on,” Lopez recalled. “One instructor was a judge, another a prosecutor, another a paralegal. So they were very academic, but at the same time very ‘This is what you do on a daily basis.’”
Lopez graduated from L.A.’s Loyola Law School in 2004, where he now teaches. His advice to aspiring entertainment attorneys is to seek out schools, like Loyola, that offer the option to focus on this area of law.

Professor David Ginsberg, who heads UCLA School of Law’s Entertainment, Media and Intellectual Property Law Program, advises students contemplating an entertainment law career to choose an undergraduate degree they are passionate about rather than one that necessarily pertains to entertainment or law to better round out their skills.

“Between the UCLA School of Law’s first-year and entertainment law specialization program, we will provide a curricular and analytic approach appropriate to training a well-prepared entertainment lawyer,” he said.

Accounting is another specialty offering good opportunities in the industry. Los Angeles is home to more than 50 accounting firms specializing in entertainment, according to Roger L. Torneden, director of business, management and legal programs at UCLA Extension. 

“Differentiation is key for a new entrant [into entertainment accounting], as is up-to-date continuing education,” Torneden said. “In addition to a bachelor’s degree or higher education … courses in entertainment studies or a new certificate program in accounting, finance, taxation or personal financial planning would seem indisputable evidence of such a personal commitment.”

Supporting roles

As for talent managers and agents — though many have no related academic qualifications — post-secondary programs can help launch an agency career.

“A jurist doctorate or MBA with an undergraduate degree in marketing would be ideal,” said Von Johnson, who created and teaches UCLA Extension’s Business of Entertainment class.  “Students will benefit from electives in content production, post-production and theater.”

“My biggest lesson for students is that they must learn how to network,” said Larry Auerbach, who had a 47-year career at the William Morris Agency. As associate dean of student industry relations at USC’s School of Cinematic Arts, Auerbach created the school’s Graduate Certificate in the Business of Entertainment program and its undergraduate Business Cinematic Arts program, both in conjunction with the Marshall School of Business.

Source  http://www.latimes.com/custompublishing/education/la-ss-education-hollywood-land-of-opportunity---20120803,0,3076962.story

Land of the Giants

The battle of Bud Light versus Coors Light is starting to look more like Budweiser, Stella Artois and Corona against Miller, Coors and Blue Moon, reported The Chicago Tribune.

Last week's announcement that Anheuser-Busch InBev had agreed to buy Corona-maker Grupo Modelo (see Related Content below for previous CSP Daily News coverage) is the latest move in a long trend of consolidation in the beer market, leaving it increasingly about two giant players--AB InBev, based in Leuven, Belgium, and MillerCoors, based in Chicago.

Competitors SABMiller, based in London, and Molson Coors Brewing Co., based in Denver, established a joint venture to manage their brands in the United States in 2008. The resulting MillerCoors has also established a craft and import division, which houses brands like Blue Moon, Peroni, Leinenkugel, Pilsner Urquell and Crispin Cider.

AB InBev, which became the world's largest brewer after the takeover over St. Louis-based Anheuser-Busch in 2008, will be unable to manage the Modelo brands in the United States after the deal closes, said the report, because the additional brands would send the company's domestic market share past 50%.

Modelo brands like Corona, Pacifico and Modelo Especial will continue to be managed domestically by Chicago-based Crown Imports, which will be owned by Constellation Brands based in Victor, N.Y. Mexico City-based Grupo Modelo is selling its 50% stake in Crown to Constellation as a result of its acquisition (see Related Content below for previous coverage).

AB InBev will continue to busy itself with Bud Light, America's best-selling beer, along with Michelob, Shock Top and other brands consumers might not associate with the brewing giant, including Stella Artois, Hoegaarden, Bass and Beck's, the report said.

Source  http://www.cspnet.com/news/beverages/articles/land-giants

In the land of the long white cloud, sun belatedly shines for blessed, brave and bold Wallabies

Talent, producing under pressure and excellent man management are all integral parts of a victorious World Cup campaign. Luck also plays a crucial role.

During the Wallabies' two World Cup triumphs, good fortune came at important times. The 1991 team was blessed by being able to play consistent line-ups as they were not hit by any major injury crisis. Likewise in 1999, the World Cup winners had only a few niggles, some like Tim Horan dragging himself out of a sick bed to help the Wallabies win a semi-final, and then were given a leg up when France knocked out the All Blacks, and offered Australia a far more comfortable finale.

In the case of the 2011 team, it appears at last luck has turned their way. When a team has only 24 per cent of the territory and 44 per cent possession, does not actually string a proper back-line move together and their lineout fails to function losing five of its own throws, and they were still able to beat the defending World Cup champions, you have to say they're also blessed.

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The players know that. The reactions in the Wallabies dressing room were, not surprisingly, ones of shock.

As Wallabies centre Adam Ashley-Cooper, who basically did not see the ball all day, said: ''I've got no fingernails left. This is just pure relief. I'm still shaking.'' Or Berrick Barnes, who again played with decorum off the bench, said: ''The sun was shining on us. Gee, we had to endure something in that second half, but thank God, we got the result.''

The Springbok camp were moaning about getting a rough deal from New Zealand referee Bryce Lawrence, believing that the man of the match, Wallabies breakaway David Pocock, got away with murder at the breakdown, adding further to the belief that Australia are suddenly the Lady Luck side of the tournament.

But no one can say the Wallabies have had an easy ride. It appeared everything was working against the Wallabies making an impact in this tournament until Sunday. A lot of the bad vibes were self-inflicted, but they also had to overcome some tricky hurdles before securing themselves a semi-finals berth.

First there was the embarrassment of James O'Connor failing to make the World Cup squad announcement or official team photo after he went to one too many eastern suburbs pubs. That incident exposed the raw underbelly of the Australian team, and the resentment some in the broader Wallabies group felt towards the young breed, and the suggestion they were allowed to get away with too much.

That wound took some time to heal. Then when the Wallabies arrived in New Zealand, they were beset with injuries, none worse than just before the Ireland pool match. Digby Ioane went first, and on the day of the game, Pocock and Stephen Moore - two of the most important Wallabies forwards - were forced out through injury and illness.

Without this trio, the Wallabies were well short of their best, and it showed against Ireland, who bashed them and forced them into the tougher part of the finals draw.

The injuries also continued to pile up, to the extent that in two pool matches, Wallabies coach Robbie Deans had only 24 players to choose from, prompting the unexpected but delightful selection of No.8 Radike Samo on the wing against Russia.

They somehow got through that, and even though injuries are still hovering, it is not so dire. And the bad vibes are now hitting the other countries, in particular the All Blacks, who apart from trying to stop certain players getting on the drink, are losing big names every day with a wide variety of ailments.

Maybe Barnes is right: the sun is at last shining on the Wallabies, and an unexpected tournament transformation is in the offing.

Source http://www.smh.com.au/rugby-union/union-news/in-the-land-of-the-long-white-cloud-sun-belatedly-shines-for-blessed-brave-and-bold-wallabies-20111010-1lhl6.html

Scholarship set up at a US law school in honour of a deceased Pakistani student

The parents of Momina Cheema, a 25-year-old Pakistani student who died in a road accident last month, announced establishment of a scholarship at the University of Virginia School of Law, her alma mater, to honour the memory of their daughter.The announcement was made by Momina’s parents—Tayeba Zia, a columnist for the Daily Nawa-i-Waqt and Dr. Akhtar Cheema, a medial specialist—on the occasion of her chehlum at their residence in Queens, a borough of New York City.The scholarship will be funded at $ 100,000, and the school will begin giving awards when the funding has reached $ 50,000, according to Paul Mahoney, the Dean of school.

“The scholarship would be awarded annually and a preference would be given to students who express an interest in Islamic law or culture,” Dean Mahoney said in a letter to Dr. Cheema.

Momina’s parents said they also plan to set up a scholarship in Momina’s name in Pakistan for outstanding students to help them acquire higher education.

The Chehlum was attended by a large number of the bereaved family’s friends, civil society representatives and members of U.S. based Pakistani media.

Source http://ftpapp.app.com.pk/en_/index.php?option=com_content&task=view&id=145821&Itemid=39

Corruption bigger threat than Pak: Anna Hazare

As the final round of talks between the government and the civil society failed, Anna Hazare sharpened his attacks on the government Wednesday, calling corruption and politician-bureaucrats nexus a bigger threat than Pakistan.

Addressing a press conference in the national capital, the noted social activist refuted government’s charge of trying to float a parallel government, saying, “We don’t want a parallel government. We want an autonomous Lokpal on the lines of Election Commission and Supreme Court which are out of the government’s direct control.”

He accused the government of trying to divert the people’s attention from the main issue by bring up talks about a parallel government.

Anna questioned government’s intention to curb rampant corruption in the country saying, “Why is the government not agreeing to bring CBI and other investigative agencies under Lokpal’s ambit? It seems government is not serious about corruption.”

Anna strongly demanded to put the whole bureaucracy under Lokpal’s ambit and also seemed disapproving of bringing NGOs under its purview. He went on to allege that the government didn’t want a strong Lokpal as it lacks will power and also as it didn’t want to end corruption in the country.

Speaking at the press meet, former IPS officer and a prominent member of Team Anna, Kiran Bedi said, “There is nothing for the common man in the government’s version of the bill. The common man is directly concerned with the lower bureaucracy but the government’s version of the bill only covers higher bureaucracy.”

Bedi added, “Government’s Lokpal won’t be able to solve the problems of the common man as it has no mechanism to lodge a direct complaint.”

She also asserted that the CVC and the CBI should come under Lokpal’s ambit, saying, “The CBI reports to the government so it cannot function independently.”

Also present was Arvind Kejriwal, who raised questions over government’s intentions saying, “It is not clear that for whose corruption, the government’s Lokpal Bill is. Though the bill covers 65000 government officers, more than 15 lakh NGOs come under its purview. Government should make it clear that whether it is for checking the corruption of bureaucrats or the NGOs.”

Earlier yesterday, the ninth and the final joint panel meeting on Lokpal was held at the office of Finance Minister Pranab Mukherjee, chairman of the drafting committee. Except Home Minister P Chidambaram, who was in Jammu and Kashmir, all the other nine members had attended the meeting.

Sources said that the civil society draft contains contentious proposals like inclusion of the Prime Minister, higher judiciary and conduct of MPs inside Parliament within the ambit of the Lokpal.

It also seeks jurisdiction over the CBI and state Lokayuktas.

The civil society draft has a provision relating to the panel for the selection of Lokpal and his removal in which a citizen has the right to move the Supreme Court.

Source http://zeenews.india.com/news/nation/corruption-bigger-threat-than-pak-anna-hazare_714480.html

Video: Hilarious Interview with Charlie Sheen

Cleveland can barely contain itself today, what with Charlie Sheen being in town and all. Just about every news outlet threw out calls on Twitter and Facebook this morning imploring anyone who saw the Warlock around town to let them know where he was at, presumably so they could stick a mic in his face and land a pure-gold interview like this "exclusive" that WKYC scored. 

One person in this interview sounds like an idiot. The other one is Charlie Sheen.

Source  http://www.clevescene.com/scene-and-heard/archives/2011/04/05/video-hilarious-interview-with-charlie-sheen

A neglected coupe de plume

An average Pakistani bookworm will read or come across a treasure trove of intense and often realistic literature composed by fellow citizens. In those words of experience and observation, fictional or otherwise, they will agree with at least some of what the book says or tries to convey, for that matter. That feeling of being able to relate leaves a positive message for the reader who might think, ‘Oh, we share something in common.’ A bond is built; trust is generated between the reader and the writer. A sense of belonging takes form and that is exactly what a bookworm searches for among other feelings while reading. If you look closer, you will see Pakistani English literature gracefully detaching itself from the resonating tone of Indian English tradition; stuck in the past, lamenting colonisation, analysing prevalent corruption in the system and sometimes, describing a room over ten or eleven pages with burdensome details.

But during that saunter down aisles and aisles of prose and poetry, we tend to overlook one stark truth: where are the books for children? More importantly, why are there terribly few English books for the young ones? Of course we have Roald Dahl, Sweet Valley High, Harry Potter, Enid Blyton and a few dozen others (not to forget the cringe-worthy addition of Stephanie Meyer’s Twilight for the “youth”), but they all have one thing in common: they are not Pakistani. They cannot speak of the experience to be a young one in this country. They do not share the simple joys, sometimes sadness and now, the restlessness of being a Pakistani youth.

I attended several educational and literary conferences where popular figures stressed upon the need to encourage literacy and reading books in our country – but there was something missing. Children are often forgotten at such occasions; a lot is honked, little is done. But forgive me for my glumness: there are efforts being positively channeled into this direction as well. The Pakistan Children Writers Guild was formed for promoting literature for children of which Dr. Mujeeb Anwar Hamidi is the patron-in-chief along with Professor Saher Ansari, Jamil-u-Din Aali, Masood Barkati, Alhaj Shamim-u-Din, Naheed Nargis, Fatima Suriya Bajia, Altaf Qadri, Dr. Aslam Saeed and Agha Noor Mohamed Pathan part of the executive committee of the guild. In this regard, a small yet colourful ray of hope was given by Mahnaz Malik who published her first story book for kids title ‘Mo’s Star,’ a story about a penguin trying to reach the stars.

I recall my fourth grade student’s snarky yet true remark during a reading class: “You know, if they coloured these books and told better stories like my grandfather does, I would read them with a lot more interest. Promise.” I did not doubt her honesty a single bit simply because she was right. Our children want to read books they can relate to. As far as I know, no matter how glamourised and addictive Twilight gets, young Pakistani girls cannot relate to Bella for two good reasons: 1) There are no vampires in Pakistan thanks to the angry summers we get. 2) I don’t have a number 2.

On a serious note, there is a dearth of localised English literature for children in the land of pure and that needs to be addressed, especially due to the education emergency we are facing. Book clubs should be formed, reading circles should be encouraged, young graduates and high school students ought to take the time out for younger ones and share stories with them. It is truly a simple task with incredible rewards. But above all, writers need to emphasize on the significance of children’s books and make sure that they step forward with contributions for these young minds.

No doubt, the achievements garnered by our writers must be extolled wherever and whenever possible, but we need to shift our focus towards a younger yet significantly larger audience. This crowd is the most neglected and unheard in our country. The irony is that it comprises the majority of our nation and, from what you and I have been told since childhood according to the loud teacher with the horn-rimmed spectacles in class, the majority is authority. These boys and girls want books. Give them something to read and something they can relate to.

Source  http://blog.dawn.com/2011/03/29/a-neglected-coupe-de-plume/